Quarteto Simbólico

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In 1910, Le Corbusier wrote in Germany his famous essay on the eyes that do not see the new forms of modern architecture. One hundred years later, in Recife, the immense modernist work of Portuguese architect Delfim Amorim remains unrecognized. What for Le Corbusier was a necessity and a projection, is now a debate about heritage, preservation, inheritance.

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