Il paradiso dell'uomo (1963)

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The story of the Japanese woman who with a sense of pagan fatalism has been able to sacrifice herself to mechanize her spirit in a sort of absurd voluntary human planning: of the woman who knows how to pose the folds of her kimono in the precious depictions of traditional dances and who knows turn on the eyes of the spectators with morbid attention in the studied movements of a strip-tease: of the woman who burns all her perceptive powers in the factories of the microscopic transistors in two years, of the "loves" who, with a centuries-old technique, dive for fishing corals and pearls; of the Japanese woman, essential actress of a drama of transformation taking place in a country of very ancient civilization that only for a century has opened the doors of her fantastic world in the eyes of the foreigner.