Ums freiwerden hätte es ja gehen sollen

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When actress Elfriede Irrall wants to make a film about her mother Erika Trojan in 1977, she is skeptical at first, but then ready to talk. Erika Trojan speaks surprisingly openly of her life in Vienna, of National Socialism, of family constraints and the desire for liberation, of love and sexuality. The explosiveness and timeliness of the result are without comparison.

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