Ena Dokymanter

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The literal title of this film by Nikos Koutelidakis, loaded as it is with layers of irony and secondary meaning, serves as an early inkling of what will become overtly apparent right from its opening shots. The camera contemplates the abandoned mansions in the town of Galaxidi, focusing first on the damage done by wear and tear to their exteriors, and then on their vacant interior spaces that once were filled with a human hustle and bustle. The storied past of this place, including details that evoke its former commercial shipping glory, becomes mired inside Galaxidi's listing around that time as a protected traditional settlement, one that tries to shake off the quaint, nostalgic air imposed upon it by a pivotal decade at its dawn, only to become trapped once more within the guise of the vintage tourist attraction it remains to this day.

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