La danza de la codorniz. Primer movimiento

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In Jean Luc Godard's film ‘Vivre sa vie’, Elena Córdoba, choreographer and dancer, heard a short dialogue that spoke of the nature of chickens and their soul. This text gave rise to the idea of animating the body of a quail ready to be cooked and, following Godard, to search for the soul of this posthumous dancer.

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