Hit and Run

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The film explores the phenomenon of when two things are perceived at the same time – as when two images combine in a double exposure. There is an ambiguity in their hierarchy. They might be perceived apart, joined together, one after the other, or one dominates the other out completely. This ‘relationship’ is what I am intuitively exploring. Film sees the unconscious neither as rational, or irrational. Film is a system of relations.” — E.B. 1977

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