Safe

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Safe (2022) is the second in a trilogy of short films that explore the nuanced overlap between women’s interior and exterior lives. Exhibited as a three-channel film, the work utilises both black-and-white and colour, 35mm film and HD video. Bradley’s soundscapes draw from the exterior world (street corners, city sirens, public parks), and include evocative fragments of language which are directly culled from research.

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